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Wenwu Daily

文武日报
The format of this poetry collection lies somewhere between a newspaper and a book, constructing a hypothetical scenario that does not exist in the real world. It invites readers to imagine, based on their own experiences, the possible transformations the poems might undergo within this layout context.
The entire layout is divided by fold lines, which act as invisible grids that define distinct textual zones. Readers are free to fold the work to reveal any of its 36 surfaces. White correction tape marks are used to space out the verses, suggesting both the segmentation of the poem and the illusion that some lines are incomplete or hidden. This encourages readers to fill in the gaps themselves, fostering interaction between reader, text, and author, and drawing them into the act of poetic creation.
Through this single act of creation, the work becomes a cross-disciplinary dialogue between literature and design. At the same time, visual elements—such as mixed layout structures and inverted typeface strokes—embody the designer's perception of the poet's actions, thoughts, and emotions.

Client: Wu Wenbin
客户： 吴文斌
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　　　　　　诗集形式处于报纸和书籍之间，通过本形式构建出现实世界中并不存在的假设情境。邀请读者基于已有的体验大胆设想诗文在此版式情境中可能发生的变化。
　　　　　　靠折痕划分整个作品的版面，折痕便成为无形的网格划分出各自独立的文本区域，读者可随意折叠至36面中的任何一面，诗句间的间隔采用修正带的形式，划分诗句结构的同时给予读者这首诗并没有写完或有诗句被隐藏的假象，可以选择自行补充，调动读者与诗文与作者的互动，带领读者加入诗歌的创作。
　　　　　　通过一次创作行为形成一次文学与设计的跨领域对话，同时通过多种版式混合、字体笔画倒置等视觉表现设计师对本诗集作者的行为，思想，情感的认知。